Sometimes it’s nice to know that nobody gives two shits about your reviews. Like now, for example, because I can admit to having enjoyed watching Sucker Punch.
You know…I kinda think Zack Snyder demonstrates elements of genius in his filmmaking, not solely in his striking use of computer imagery, but also in his visual storytelling. And I’m totally serious. This is a work that could almost be played as a straight silent film (and in point of fact, for the first five minutes or so, that’s pretty much exactly what it is).
I’m only going to say three things about this movie:
(1) I was never bored. At all. I found it roundly entertaining from minute one right through to the unexpected musical number in the credits.
(2) It’s not totally empty-headed entertainment by any means. While so many action films feel uncomfortably familiar, as though you’ve seen them before, I promise you, you’ve never seen Sucker Punch before. You may have seen fragments of this film elsewhere, but never strung together this way or within such an odd narrative frame.
(3) Neat soundtrack, though this could just as easily be somebody else’s complaint, as the film at times feels like a sequence of music videos.
If I’m being honest, I don’t quite understand why it was eviscerated by critics. And I’m not going to bother reading the reviews.
Is it a brilliant work of cinema that 20 years from now is going to be studied in film theory courses alongside Citizen Kane? No, of course not. Hell, it might not even be a movie you’d be willing to watch more than once. But even if you consider the film a failure, it seems you would have to acknowledge that it’s an interesting failure, at least.
Why do the writers of these movies always feel the need to inject at least a few ridiculous mutants of their own creation? To be honest, I haven’t read a bunch of X-Men comics, so perhaps some of these lame-ass characters are actual Marvel creations, but just as an example, this film gives us a stripper with dragonfly wings who hawks up fireballs from her throat. She’s not a prominent character, really, but the point is, she’s in X-Men: First Class, and when you see a character like that, it makes you cry a little bit for all of the awesome mutants they could have employed instead.
Also, there’s a character that’s just Nightcrawler except he’s red and Russian. Get it? And there’s another guy whose “ability to adapt” somehow allows him to encase his torso in a turtle shell. Or something.
Nitpicking aside, this wasn’t a bad origin story for the X-Men. It hits all the notes: Magneto’s beginnings during the Holocaust, the friendship between Xavier and Magneto, the romance between Xavier and Moira McTaggert, Xavier’s paralysis, Professor X’s School for the Gifted, and so forth. And along the way, it manages to explain things like how Mystique fell in with Magneto, how Hank McCoy turned all blue and hairy, and even how Magneto acquired that helmet of his. Internally, it’s pretty sound storytelling as all things organically fall into their place as we know they must.
In all fairness, there’s a lot to like about this film. So why didn’t I love it? I’m not quite certain, to be frank with you. Perhaps because I never did quite get interested in the villain’s plot to start World War III. Or perhaps it’s merely because I don’t care much about characters like Banshee or Havok. Or perhaps it’s because I think it may have been pointless to attempt to wedge this into the continuity previously established by the other X-Men films; and even within those guidelines, it still creates some questionable continuity. In any case, you have my rating.
Bonus! Random Video
This has absolutely nothing to do with anything. I just stumbled across it on YouTube and it cracked me up hard for some reason.